Bishop, arr.: Mozart's The Marriage of Figaro

Overture Act I No. 1. Duetto (Susanna, Figaro): “Fourteen, sixteen, eighteen, twenty” No. 2. Song (Figaro): “Count Almaviva’s a compound of evil” No. 3. Song (Susanna): “The youth in his blooming array” No. 4. Duetto (Susanna, Barbarina): “I’ve seen all your flirting!” No. 5. Song (Cherubino): “Oh, this love!” No. 6. Chorus: “Receive, noble master” No. 7. Finale (Susanna, Barbarina, Marcellina, Cherubino, Figaro, Basil, Chorus): “Ah! my lord, to fearful dangers” Act II No. 8. Duetto (Susanna, Fiorello): “Ah! deign a kind reply” No. 9. Song (Antonio): “In early life, I took a wife” No. 10. Song (Countess): “Love! ever leave me” No. 11. Duetto (Susanna, Countess): “‘How gently’” No. 12. Song (Susanna): “Ne’er can the rose” No. 13. Song (Susanna): “Come hither!” No. 14. Song (Countess): “All these jealous doubts removing” No. 15. Finale (Susanna, Countess, Marcellina, Fiorello, Antonio, Figaro, Sebastian, Basil): “The notary now requests to enter” Act III No. 16. The Bolero No. 17. Pastoral March No. 18. Pas de Deux No. 19. Melodramatic Music Previous to Duetto No. 20. Duetto (Susanna, Countess): “Oh! take this gift” No. 21. Villagers March No. 22. Song (Fiorello): “When love subdues the youthful heart” No. 23. Song (Countess): “Aid me! ye pitying pow’rs!” No. 24. Trio (Susanna, Figaro, Antonio): “Silence, silence, he may overhear us” No. 25. Finale (Susanna, Countess, Marcellina, Barbarina, Cherubino, Fiorello, Figaro, Antonio, Basil, Chorus): “Each doubt and fear now ending”

Appendix: Items from the Autograph Score No. 6a. “Receive, noble master”: Trumpet and Clarinet Parts No. 7a. “Ah! my lord, to fearful dangers”: Orchestral Score, Sections 2–3 No. 7b. “Ah! my lord, to fearful dangers”: String Parts, Section 5 No. 7c. “Ah! my lord, to fearful dangers”: Trombone Part No. 10a. Fragment Possibly Intended for “Love! ever leave me” No. 15a. “The notary now requests to enter”: Trombone Part No. 15b. Fragment Possibly Used in Section 1 of “The notary” No. 15c. Fragment Possibly Used in Section 3 of “The notary” No. 15d. Fragment Possibly Used in Section 3 of “The notary” No. 15e. Fragment Possibly Used in Section 5 of “The notary” No. 15f. Fragment Possibly Used in Section 5 of “The notary” No. 15g. Fragment Possibly Used in Section 1 of “The notary” No. 15h. Fragment Possibly Used in Section 2 of “The notary” No. 19a. Melodramatic Music Previous to Duetto: Orchestral Score Fragment of Mozart’s “Cosa sento! tosto andate”