Majo: Ifigenia in Tauride

lxx + 379 pp.

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Uitgave:
Artikelnr.:
1691570
Uitgever / Producent:
Productie nr.:
C046
ISBN:
9780895793751

Beschrijving

A composer of the Neapolitan School, Majo (1732-1770) enjoyed a short but distinguished career as an opera composer, with successful visits to Parma, Rome, Venice, and Vienna, where he was invited to compose the opera Alcide negli orti Esperidi to celebrate the coronation of Joseph II as Holy Roman Emperor in 1764. That same year Elector Palatine Carl Theodor commissioned Majo to compose Ifigenia in Tauride for the court theater in Mannheim. With a libretto by the court poet Mattia Verazi, the opera features a progressive musico-dramatic structure, incorporating French elements (especially pantomime and choruses), and reflects the strengths of one of the best orchestras of the day as well as an excellent company of singers. Majo's Ifigenia in Tauride is the culmination of an intense period of operatic reform and experimentation at Mannheim in the early 1760s.

Inhoud

Ouverture Atto primo No. 1. Aria (Ifigenia): “De’ tuoi mali esulterei” No. 2. Aria (Pilade): “Fra cento belve e cento” No. 3. Aria (Tomiri): “È specie di follia” No. 4. Cavatina (Oreste): “Per pietà deh nascondimi almeno” No. 5. Recitativo (Oreste): “Grazie ai Numi, partì . . . Ma come, oh Dio!” No. 6. Aria (Oreste): “Rimorsi tiranni” Marcia per la Banda No. 7. Cavatina (Merodate): “Vuoi così? T’appagherò” No. 8. Coro di guerrieri armati: “Pace al mondo, a noi riposo” No. 9. Aria (Merodate): “Di me s’accenda” Coro [di guerrieri armati]: “Piacer chi brama” Per la Lotta Per il Combattimento No. 10. Aria (Toante): “Non m’irritate, o perfidi” No. 11. Recitativo (Oreste, Pilade): “Pilade amato” No. 12. Duetto (Oreste, Pilade): “Che crudele addio funesto!” Atto secondo No. 13. Recitativo (Tomiri): “Pensaci: e infin ch’io t’amo” No. 14. Aria (Tomiri): “Ah lo sdegno degli amanti” No. 15. Aria (Toante): “Pudico fu spesso” No. 16. Coro de’ satrapi della Scizia: “Ceder devi. Concordi noi siamo.” No. 17. Quartetto (Ifigenia, Tomiri, Merodate, Toante): “Tu m’insulti? Va, che sei” No. 18. Duetto (Oreste, Pilade [with Ifigenia]): “Senti, ah no: morir vogl’io” No. 19. Recitativo (Ifigenia): “Chi resister potria?” No. 20. Aria (Ifigenia): “Ombra cara che intorno t’aggiri” Atto terzo No. 21. Terzetto (Ifigenia, Tomiri, Merodate): “Di mente aborto vana e leggiera” No. 22. Cavatina (Toante): “Con face lugubre” No. 23. Coro [de’ sacri ministri]: “Nume terribile!” No. 24. Recitativo (Toante, Ifigenia, Oreste, Pilade): “Che ardire!” No. 25. Cavatina (Pilade): “E vuoi? . . . Crudel . . . Perchè? . . .” No. 26. Recitativo (Ifigenia): “Accresca pietoso al viver tuo quei giorni il cielo” No. 27. Aria (Ifigenia): “Se il labbro si lagna” No. 28. Aria (Oreste): “Tornò la mia speranza” No. 29. Coro [de’ sacri ministri]: “Che sorte! Che fato!” No. 30. Terzetto (Tomiri, Merodate, Toante): “Al regio letto” No. 31. Recitativo (Toante): “Andrò . . . Ma Ifigenia?” No. 32. Aria (Toante): “Qua . . . La fiamma! . . . Là . . . Il fumo! . . .”

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Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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